ADOBE AFTER EFFECTS CS6 PDF
You can even modify vector-based Illustrator, EPS, and PDF files after you import them into After Effects CS6. Furthermore, with the new 3D extrusion support. Using After Effects CS5 & CS (PDF) · Learn After Effects CS5 & CS video tutorials · Adobe After Effects CS5 & CS Troubleshooting. Adobe After Effects CS6 software works with you to meet both goals. After Effects CS6 takes performance to a new level with Global Performance Cache.
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After Effects CS6 Video tutorials. What's new in After Effects CS6 Designing in 3D: Use After Effects CS6 to elevate your work and 3D. Adobe Premiere Pro CS6 Classroom in a Book includes the lesson files that you' ll need to complete Adob The Adobe Photoshop CS6 Book for Digital. The combination of Adobe After Effects CS6 and this .. an appendix, found on the disc as a PDF. these, see the script links PDF in the scripts folder on.
This tutorial runs through some top tips for animating illustrations in After Effects, starting with the basics. Getting into motion design can be quite intimidating, but there are a lot of similarities between Adobe's motion graphics, animation and video editing tool and Photoshop.
Learn how to apply your Photoshop skills to making images that move. Learn the basics of creating your first composition in Adobe After Effects CC, as well as how to add animation, apply effects and more. This series of video tutorials will teach you the fundamentals required to create and animate text layers. Here you'll learn to add text to a composition, apply and edit prebuilt text animations and create per-character animation.
Learn how to create custom transitions in After Effects with these video tutorials. Find out how to animate masks to create a custom transition, build animated graphics using Shape layers and create transparency in a layer using a track matte.
Discover how to make a cool glitch effect in this After Effects tutorial, entirely within the app and with no source footage. This set of tutorials focuses on techniques for creating several popular visual effects.
Use the 3D Camera Tracker effect to place type into a scene, Add a blur over a specific area in the video footage, isolate elements by pulling a greenscreen key, clean up keyed footage using a garbage matte and retime video to create visual impact. These tutorials explain how to use a Generate effect to create an animated background. First, create animated graphic elements from scratch that you can use to create an animated background.
Then Create a seamless looping background using evolution options. Here you can learn techniques and tools to simplify the process of selecting and animating multiple layers in your composition. These tutorials will teach you how to create and work with 3D in compositions. Learn about the different renderers available in After Effects, how to enable 3D on a layer to position 2D layers in 3D space and how to add lights to a composition containing 3D layers.
Once you've mastered the basics, it's time to start building your skills. There's plenty more to learn — whether you want to start upskilling in motion graphics, animation and videos, improve your productivity or organise your projects more efficiently.
Ian Robinson explains how to start off on the right foot using Adobe After Effects by navigating the workspace and learning key terms and basic features that will help you become proficient. This tutorial explains how to navigate Adobe After Effects CC so you can organise your projects — including imported assets, precompositions, and timeline layers — and apply effects efficiently.
You can see which project is open by looking at the top of the Application window. You will almost always import some files into a project; these are referred to as source files. Inside of a project, the source files are used as the basis for footage items.
CS6 Video tutorials
You can see all of your source files in the Project panel, and it is recommended that you place them into different folders to keep your Project panel organized. When layers are stacked on top of one another, you can use several different features to determine exactly how the underlying layers will show through and blend with the layers on top.
This is called compositing. The example here is a nested composition that consists of two layers: a vector graphic logo and a simple text layer with the number 3. If you go back to the main composition by clicking its main timeline panel tab, these items together are what form the vector graphic bug in the upper-right corner of the screen.
Layer Properties Each layer has several properties, and you typically interact with these properties in the Timeline panel. If you click one of the small triangles in the Timeline panel, you expand a property group. At the right of each property, you can see the numerical value that is currently set for it.
Nesting Compositions Compositions can be nested one inside the other, with the nested composition acting in the same way as any other footage item. If you double-click the precomposition layer of a nested composition, it will open in its own Composition panel.
Adobe After E ffects C S6 : Learn by V ideo 11 Animation and Keyframes When you modify a property so that it has a different value at one time than it has at another time, this is called animation.
In After Effects, any property with a stopwatch icon next to it can be animated. The Effect Controls panel provides a view of effect properties very similar to what you see in the Timeline panel, but it is often more convenient to access them through the Effect Controls panel.
The most common way to animate a property is to use keyframes to specify certain values at specific times. You enable animation for a prop erty by clicking the stopwatch icon. This sets a keyframe, as indicated by a yellow icon on the timeline that looks like a diamond formed by two triangles.
You can disable keyframing for a property by clicking the stopwatch again. You can also use keyframes to specify the shape and position of a mask at specific times so the mask roughly follows the key region of a shot. Masks are most commonly placed on adjustment layers, which are used for effects. Previewing Your Work As you are working, you will need to preview your work, and After Effects provides many ways to do this.
You can use a manual method such as dragging the playhead in the Timeline panel back and forth, which is often referred to as scrubbing. Effects After Effects comes with hundreds of effects. You can control effects using the Effect Controls panel; anytime you select a layer that has effects applied, those effects appear in the Effect Controls panel. Rendering is the process that After Effects uses internally to create the frames of a movie from all of the information that you have given it in the composition.
Encoding and exporting are the processes that After Effects uses to then convert these movie frames into output files that can be played back or used in other programs. When you are ready to render and export a movie, you add your composition to the Render queue, which you can see by clicking on the Render Queue panel tab.
The render settings you choose tell After Effects how to create the rendered frames from the composition. The output module settings specify what formats, output locations, and other details After Effects should use to output your movies. When everything is ready to go, you just click Render and the program takes care of the rest for you.
So, there is a whirlwind tour of the After Effects workflow. To sum up: Projects hold footage items, compositions hold layers, layers are based on footage items, layers have properties that you can modify, keyframes specify pro perty values at specific times, effects add additional properties to layers, and you can render and export your compositions to create output files.
If you are new to Photoshop, you may want to spend a little time clicking through the menus to get a sense of what it can do for you. The toolbar on the left of the default workspace houses an enormous range of features, especially when you consider that many of the tools will reveal a menu of several other tools if you click and hold down the mouse button.
Each of the tools you select on the toolbar will have unique settings that appear along the top of the Photoshop interface. Getting to know these settings is an important step toward Photoshop mastery. From now on, any filters you apply will be added as a list attached to the video layer that you can turn on and off as you wish. Unlike traditional result effects work in Photoshop, where filter effects amend the original media, this method is nondestructive in the same way that nonlinear editing systems are.
Working with Video Photoshop has an enormous range of filter effects, but theres a gotcha you need to be aware of if you want to use them on a video clip.
You can open video clips just like any other kind of file in Photoshop Extended; if you open the Animation window, youll be able to play a clip and step through it, frame by frame. However, if you apply a filter to a video clip, it wont be applied to any frames except the one you happen to be displaying. If you want an effect to apply to every frame of video in your clip, you must first convert the video to a Smart Object. This works very well if you use one of the document presets in Photoshop to create a blank document that exactly matches the output format you need, because you are able to resize the placed item before committing the changes to the Smart Object.
You could do this manually later on, but it saves a few clicks to deal with scaling the new source layer as you import it.
Because Smart Objects are only based on the original rasterized media, you can always rescale safelyadjustments made to Smart Objects are nondestructive.
It can be overwhelming when you first interact with an advanced application like Audition, even if you have experience with similar tools. My advice is to begin by looking for the features you are familiar with and closing panels that dont make any sense to you.
This way you can keep the clutter away while you find your bearings. Tip: Because Soundbooth was based on Audition, users of Soundbooth will find Audition familiar territoryexcept for the many extra tools and panels that were not present in Soundbooth.
Cleaning Up Audio You will find that Audition has exactly the same Waveform and Spectral display modes as Soundbooth and many of the same effects, though there is more flexibility in the ways you can interact with your media. Even the Spectral display offers a more advanced way to clean up unwanted sounds. In Soundbooth, you can select a sound you want to remove and press Delete. Soundbooth will smooth the edges of the selection and remove exactly the frequencies you selected. Audition also has a healing option, which will use surrounding frequencies to fill in the gap you create.
This advanced audio restoration feature is one of the many reasons it is worth taking the time to learn about Auditionthe more you know it, the more you will love it. It is powerful, flexible, and userfriendly. You can use prebuilt menus to learn about button and background design, automatically generate an After Effects composition from a menu to create animated transitions, import a dynamically linked Premiere Pro sequence to begin authoring before you have even completed the edit, and even generate multiple deliverables from a single projectincluding a stereoscopic 3D Blu-ray DVD!
With all of that wonderful performance in mind, theres just one fundamental rule to observe when authoring with Encore: Be selective with your selections.
Encore uses object-oriented design, which broadly speaking means that you set up the interactivity of your DVD by selecting objects or assets and then making choices for them in the Properties panel. These properties might involve an end action that tells the DVD player what to do when an item finishes playing, or they might specify what music to play in the background of a menu. Getting to Know Encore The first step in understanding Encore is to discover all of the options available in the Properties panel when you clickanything!
See what happens when you select a video clip compared to a timeline. Select buttons, then menus in the Project panel, or select nothing in the Project panel by clicking on the background. Most of the functionality Encore has to offer is inside that one important panel. Though you can set up your transcoding very precisely with Encore, I tend to only set a maximum bitrate that I know is safe.
For me, safe means it is low enough for all set-top boxes to be able to play the disc. When you transcode your media, Encore will automatically use the maximum bitrate you set, unless the duration 16 A dobe C reative S uite 6 E ditor s N otes of your content is such that there is not enough room on the disc at that bitrate.
Encore will then automatically set the maximum bitrate for the space available, which means much less thinking is required! All of the calculations, including ensuring that there is enough room for your menus, are carried out by Encore without you having to do a thing.
Being Flexible with Content If you want to create multiple versions of a film without taking up extra space on the disc by making multiple copies, check out Chapter Playlists. These allow you to treat individual chapters as separate timelines that can be viewed in any order. This means that you could have one menu button that only plays chapters 1, 3, 7, 10, and 11, then another menu button that only plays chapters 2, 4, 5, 8 and 9, and yet another button that plays the whole thing from beginning to end.
This approach to project organization is incredibly efficient and easy to implement. Its also easy to change your mind about the playback order. You can have multiple Chapter Playlists without adding a single extra clip to your project. This feature is perfect for including multiple endings and allowing your viewer to choose the ending they want before they start the movie. If you do this, Encore will automatically skip transcoding the media.
Adobe After E ffects C S6 : Learn by V ideo 17 If you use Chapter Playlists, consider doubling your chapter markers: The portion of your timeline that is played when you add a chapter to a Chapter Playlist goes from the chapter marker you select to the next chapter marker. To avoid playing the beginning of the next chapter, add one marker for the start of a chapter and another for the end of that chapter.
This means there will be a very short chapter at the end of each main chapter the gap between your chapter end and the next chapter. It will have no impact on playback if the viewer simply watches the video from beginning to end and will allow you to set end points for chapters on your Chapter Playlists. If you are mixing and matching source material of different frame sizes, the Maximum Render Quality setting will improve the quality of the scaling.
Being Dynamic The more you can use dynamic linking in your workflow, the more flexible and agile you can be as you develop your project. Many editors base their workflows on aiming for picture lock, when the final decision is made about exactly which frames will be included in the video and which will not.
As clients become more familiar with the power of nonlinear editing, changes at the last moment are becoming increasingly common. Connecting Everything Together If all your work is aimed at the final output, it makes sense to plan backwards from there. If you are delivering a Blu-ray DVD, this can guide your sequence settings in Premiere Pro, workflow for incorporating After Effects compositions, graphics resolutions, and every other variable in media acquisition.
If your system is powerful, you may want to turn on the Maximum Bit Depth and Maximum Render Quality settings for your sequence in Premiere Pro before you output. The Maximum Bit Depth option will allow the bit effects to operate fully, retaining every possible detail Dynamic linking helps you keep your sanity if you need to make retroactive changes and dont want to have to think about where the updates should appear.
Take time to familiarize yourself with the best approach for incorporating dynamic links into your workflow. This way, when your client asks for just one more version, youll know that everything will update automatically.
AIFF is a cross-platform audio file format. Aliasing An artifact or a distortion in the repro duction of digital audio or video resulting from a signal frequency more than twice as high as the sampling frequency or resolution. In this case, sufficient distinction between alternate reconstructions of the waveform becomes impossible and additional noise is introduced that was not present in the original signal. See also anti-aliasing.
Alpha Transparency Transparency information for bitmap images that is stored in a separate alpha channel. In addition to its individual color values, each pixel of the raster graphic has a certain alpha value or transparency level associated with it. Anamorphic formatting The process of horizontally compressing a wide picture or video image to fit a narrower media standard. When played back on a widescreen display, the image is expanded to its full size.
Animation A sequence of gradually changing images interpreted as a fluid motion by the brain. Anti-aliasing To smooth out or to reduce disturbing picture effects caused by a jagged or stairstep appearance or motion between neighboring pixels. See aliasing. Artifacts Color faults or line faults that visibly impact an image. Artifacts are often caused by excessive image compression.
Aspect Ratio The ratio of image width to image height.
Standard video uses an aspect ratio of , while widescreen video uses an aspect ratio of Adobe After Effects shows waveform miniatures in the timeline and features a separate Clip dialog box for editing audio. AVI was defined by Microsoft and is a common container format for video files on the Windows platform. As an example, a dial-up modem has a very narrow bandwidth compared to a cable modem or a LAN connection, so the former is not suitable for streaming high-bandwidth videos on the Internet.
Originally, the term comes from analog signal transmission, describing the width of the electro magnetic frequency range or band a signal needs for its transmission.
See also data rate. Bits can have only two values: 0 or 1.
Bitmap A digital image file that uses spatially arranged pixels to store the image information. Sometimes bitmap implies a color depth of one bit per pixel, resulting in a two-color image. Bitrate The file size of digital audio and video files as measured in kilobits per second. The higher the bitrate, the higher the quality of the audio and video.
During post-production, the blue or green background is removed, allowing the subject or object to easily be placed into a different scene. This technique is commonly used in television to show a weather forecaster in front of a weather map and in movies to produce special effects. Blurring The process of adding fuzziness to or decreasing the focus of an image or certain parts of it for a softer appearance or to hide a defect. A measurement unit for data rate. Browser An application that retrieves data from the Internet and processes and displays it on a client computer.
In addition to text and HTML, modern browsers can display graphics, movie clips, and various other types of media, frequently using plug-ins for these tasks.
Byte A data unit equal to eight bits. Caption A text overlay that labels a scene, identifies a location or person, or displays dialogue onscreen. Captions can be either open or closed. Open captions are displayed any time the video is played; closed captions like subtitles for different languages or the hearing-impaired are not shown unless called up by the receiving equipment.
For analog sources, a special video capture card is typically used to convert the signals into a computer-legible format. See also import.
For example, an alpha channel might contain matte or mask frames to key certain regions of the image to be transparent.
A stereo audio clip consists of separate left and right channels. You can import various clip files into your After Effects project and trim longer clips into individual scenes. These clips are edited together in the timeline to play in sequential order, with appropriate transitions between the individual clips and other effects. Clip Art A collection of mostly royalty-free images and illustrations for use in document and project design. Software that manages compression during recording and decompression during playback of media.
Compression Any technique that reduces the size of still image, audio, or video files. Video compression technologies, or codecs, reduce the data rate via inter-frame techniques i. Digital video files are usually very large, so without compression, video could not be stored on DVDs which use the MPEG-2 codec or streamed over the Internet using a variety of codecs, including VP6, H.
A compression rate of means that the size of the compressed file is onetenth the size of the original. Contrast The relationship and degree of difference in color and light between parts of an image.
How to use transparent or invisible buttons How to work with text Understanding frames and keyframes How to create animation How to use a motion guide with a motion tween animation How to ease tweens How to create character animations How to use sprite sheets How to use filmmaking techniques How to create transitions with motion tweens How to create visual effects How to import images How to produce Flash video for use on the web How to import sound How to optimize Flash content How to get started with ActionScript ActionScript for basic gaming How to test a Flash project How to publish a Flash document How to set up a mobile application How to resize content for multiple screens How to create an RSS feed How to create a Google map How to publish a mobile application.
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Key terms: How to import files 3. How to manage media in the Project panel 4. How to create a storyboard in the Project panel 5. How to trim clips in the Timeline panel 6.
How to work with clips in the Timeline panel 7. How to create standard image, movie, and audio files 8. How to capture video 9. How to use editing tools in the Source Monitor How to apply and adjust video transitions How to adjust audio and apply crossfades How to record a narration in the Audio Mixer How to create TV news-style J- and L- cuts How to edit in the Program Monitor How to use the Trim Monitor Understanding the Titler How to build text and objects in the Titler How to work with alpha channel transparencies How to use the Motion effect How to add text effects How to apply and adjust video effects How to work with audio How to change clip speed and direction How to apply and adjust video keying effects How to work with temporal and spatial keyframe interpolation How to make text roll and crawl How to use nested sequences How to work with other motion effects and features.
How to animate text and create video effects 3. How to rotoscope in Adobe After Effects. Overview of Adobe Audition CS6 workspace 2. How to record narration 3. How to edit audio tracks 4. How to compose multiple track recordings 5. How to work with audio 6.
How to apply Adobe Audition sound effects 7. How to use loops, music beds, and sound effects. Overview of Adobe Encore CS6 workspace 2. How to use advanced authoring techniques in Encore 4. Creating a web DVD in Encore. Keep up with the latest on Adobe software — follow us on Facebook or Twitter , or subscribe to our RSS feed … You can also enter your email and have new articles sent directly to your inbox.
Steals Tags: Thank you for subscribing! We hope you enjoy the newsletter and your free Adobe books Click here to see the books now , and start downloading and reading! Sorry, something went wrong. Please try again. We respect your privacy and take protecting it seriously. When the type box is open, the options to add swashes etc is not available.
Marla, have you tried the Adobe Support Pages for the product? I came with a disc. How can I install it? Surely you have a site from which I can download it. Hi Stuart, not yet — but we are keeping our eyes out for free downloadable Adobe CC e-books, and will post them here as soon as they are available….
In the meantime, using these CS6 ebooks here will give you a good leg up on the new Creative Cloud versions, as many of the features and tutorials carry over from Creative Suite 6. Hey Fikri, did you get an error or message of any kind? Hi Sophat, you should just be able to click and go on the book titles… then log in with your Adobe ID and download whichever CS6 books you want. Sure Hamid — you can download a Dreamweaver CS6 book from the link given in article.
I was just wondering if CS6 and CC are the same basic stuff? But the key thing to keep in mind is that the CS6 version which came out in spring almost 3 years older now than the Creative Cloud, and all together CC has added over 1, new features and improvements over CS6. Yes, that takes you to download page for the free Photoshop CS6 book, which is the most popular title…. Then if you would like any other books, just click on the additional links from that page i. My daughter is currently in Taiwan and needs CS 6.
She needs a link to download the software instead of having the software shipped. How do we go about purchasing CS6 so she can download the software?
Buy Adobe Creative Suite 6 Products. I had an Premiere CS6 that I paid for upfront a long time ago. Try signing out from the application using the Help menu , rebooting your system, and then starting it up again. Guys, pls i have a very big problem. Really want my sites to look good.
Book Note: ‘Adobe After Effects CS6 Visual Effects and Compositing Studio Techniques’
Pls can anyone help me?How to use loops, music beds, and sound effects Key terms: audition cs6, audio production Learn how to use Adobe Encore CS6 Technical guides include: 1. Browser An application that retrieves data from the Internet and processes and displays it on a client computer. You can download the installer for this version of Story by going to the Story home page and clicking the link. Encoding The process of changing a data stream from one form into another following a set of algorithms specified by a codec.
Standard video uses an aspect ratio of , while widescreen video uses an aspect ratio of Cue points are used in online video publishing to trigger custom functionality, like synchro nized animations or closed captions.
Encore will then automatically set the maximum bitrate for the space available, which means much less thinking is required! For onscreen help and a users manual, click either the Help item on the menu at the top of your screen or the Need Help item at the bottom of the Content panel. How to work with other motion effects and features.
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